La Légende d’Eer by Iannis Xenakis
Sound diffusion
Juan Carlos Blancas and Sergio Luque

Hotsetan. Programa de Música Experimental
Auditorio, Azkuna Zentroa, Bilbao, Spain. May 23, 2023

It Is Happening Again by Sergio Luque
Concret PH, Bohor and GENDY3 by Iannis Xenakis
Sound diffusion

Sonikas – Festival Internacional de Música Experimental
Centro Cultural Lope de Vega, Madrid. January 15, 2023

The Art of Disappearing, Interludio, ¿Qué Gigantes? and It Is Happening Again for computer-generated sound

Hotsetan. Programa de Música Experimental
Auditorio, Azkuna Zentroa, Bilbao, Spain. November 24, 2022

Persepolis, Concret PH, La Légende d’Eer, Hibiki-Hana-Ma, Mycenae Alpha, GENDY3 and S.709 by Iannis Xenakis
“Sex, Drugs and Rock ‘N Roll” Was Never Meant to Be like This,
Daisy and The Art of Disappearing by Sergio Luque
Sound diffusion
Stochastic Synthesis
Talk

X100. A festival in the spirit of Iannis Xenakis
Kraftwerk, Berlin, Germany. November 18–20, 2022

We’ll Never Know for piano, violin, viola and cello
Flex Ensemble

Farout Artistic Research
Teatro, Museo Universidad de Navarra, Pamplona, Spain. November 11, 2022
Rasselmania, Hildesheim, Germany. November 26, 2022
Sprengel Museum, Hannover, Germany. November 27, 2022

It Is Happening Again by Sergio Luque
La Légende d’Eer by Iannis Xenakis
Sound diffusion

music & maths – Iannis Xenakis 100
The Exchange, University of Birmingham, United Kingdom. May 29, 2022

La Légende d’Eer by Iannis Xenakis
Sound diffusion
Juan Carlos Blancas and Sergio Luque

Auditorio 400, Museo Reina Sofía, Madrid, Spain. May 20, 2022

The Music of Iannis Xenakis: Abstraction in Search of a Dionysian Knowledge of the Universe
Talk

Autonomous University of Madrid, Spain. March 24, 2022

The Art of Disappearing for computer-generated sound

Panorámica_01: Tarde inmersiva con Eduardo Palacio
Centro Cultural de España en México, Mexico City. February 10, 2022

It’s All Mirrors and Magnets for bass recorder
Anna Margules

VII Festival de Música Contemporánea de La Rioja
Centro Fundación Caja Rioja Gran Vía, Logroño, Spain. January 21, 2022

VI Jornadas de Creación Electroacústica
Conference
Peter Ablinger, Enrique Tomás, José Manuel López López, Henar Rivière

Centro Superior de Enseñanza Musical Katarina Gurska
Madrid, Spain. December 16–17, 2021; February 25–26, 2022; May 28, 2022

Vouloir Croire Entrevoir for alto saxophone, violin, viola and cello
Liminar Ensemble

XLIII Foro Internacional de Música Nueva Manuel Enríquez
Sala Manuel M. Ponce, Palacio de Bellas Artes, Mexico City. October 15, 2021

Surveillance for computer-generated sound

VI International Ibero-American Music Festival
Casa de Valencia, Madrid, Spain. September 11, 2021

Telescope for piano
Elisa Vázquez Doval

Resis IV Festival de Música Contemporánea
Museo Nacional de Ciencia y Tecnología, A Coruña, Spain. May 22, 2021

Telescope II for piano and string quartet
Eloy Orzaiz, piano
Marta Ramírez García-Mina, violin
Leire Fernández, violin
Daniel Sádaba, viola
Paula Azcona, violoncello

Farout (Beatriz Pomés, Sef Hermans, Igor Saenz)
Cartografías de la Música
Museo Universidad de Navarra, Pamplona, Spain. April 17, 2021

Telescope for piano
Carlos Marín Rayo
V International Ibero-American Music Festival
Casa de Valencia, Madrid, Spain. November 29, 2020

It’s All Mirrors and Magnets for alto saxophone
Jaime Augusto Serrano

Centro Cívico y Cultural, Pedro Muñoz, Ciudad Real, Spain.
December 29, 2019.

Stochastic Composition and Synthesis in SuperCollider
Workshop

Institute of Sonology, Royal Conservatory
The Hague, The Netherlands. November 4 – 8, 2019

Telescope for piano
Dante Boon

Cafe OTO, London. September 30, 2019

Surveillance for computer-generated sound

Visiones Sonoras – International Festival of Music and New Technologies
Auditorio CSAM, UNAM, Morelia, Mexico. September 28, 2019

Frío for computer-generated sound

Maratón de Electroacústica de América Latina
Electroacoustic Music Studies Network
Casa del Lago, UNAM, Mexico City. June 15, 2019

Dreaming about Tinguely’s Mechanical Sculptures for solo percussion
Iván Manzanilla

Sixth International Percussion Festival
Teatro Municipal, Santa Fe, Argentina. June 5, 2019

VI Jornadas de Creación Electroacústica
Conference
Mesías Maiguashca, Nicolas Collins, María Andueza, Juan Carlos Blancas

Centro Superior de Enseñanza Musical Katarina Gurska
Madrid. April 5 – 7, 2019

Telescope for piano
Lluïsa Espigolé

EMA – Festival de Música Actual
Sala Berlanga, Madrid. March 22, 2019

Dreaming about Tinguely’s Mechanical Sculptures for solo percussion
Iván Manzanilla

Cross-Wired
Conrad Prebys Concert Hall, University of California, San Diego, USA. March 1, 2019

Dreaming about Tinguely’s Mechanical Sculptures for solo percussion
Iván Manzanilla

Círculo Colombiano de Música Contemporánea
Teatro Libélula Dorada, Bogotá, Colombia. December 4, 2018

Flaring up from Blackness for saxophone quartet
Sigma Project

XL Foro Internacional de Música Nueva Manuel Enríquez
Sala Manuel M. Ponce, Palacio de Bellas Artes, Mexico City. October 5, 2018

Flaring up from Blackness for saxophone quartet
Sigma Project

Centre Municipal Bernat i Baldoví, Sueca, Spain. May 19, 2018

Flaring up from Blackness for saxophone quartet
Sigma Project

VANG. Músicas en vanguardia
CentroCentro, Palacio de Cibeles, Madrid, Spain. April 26, 2018

VI Jornadas de Creación Electroacústica
Conference
Trevor Wishart, Bernhard Lang, Adolfo Núñez, Juan Carlos Blancas

Centro Superior de Enseñanza Musical Katarina Gurska
Madrid, Spain. March 3 – 4, May 31, Jun 1, 2018

Stochastic Composition and Synthesis in SuperCollider
Workshop
Institute of Sonology, Royal Conservatory
The Hague, The Netherlands. October 30 – November 3, 2017

Don’t Have Any Evidence for bass flute, English horn, bass clarinet, bassoon, percussion, piano, violin, viola, cello and double bass
Ensamble CEPROMUSIC

Sala Manuel M. Ponce, Palacio de Bellas Artes, Mexico City. February 26, 2017

Spine for English horn, percussion, violin & double bass
Ensamble CEPROMUSIC

Aliqua*/Música de cámara contemporánea
Sala de Arte Público Siqueiros, Mexico City. February 11, 2017

Through Empty Space for string quartet
Commissioned by Bendigo International Festival of Exploratory Music 2016
Argonaut Quartet
Graeme Jennings, Violin I
Elizabeth Welsh, Violin II
Erkki Veltheim, Viola
Judith Hamman, Cello

Bendigo International Festival of Exploratory Music
Bendigo Town Hall, Australia. September 3, 2016

Surveillance for computer-generated sound

CCRMA Stage, Stanford University, USA. May 21, 2016

Guest Composer
Surveillance for computer-generated sound
Daisy for computer-generated sound
“Sex, Drugs and Rock ‘N Roll” Was Never Meant to Be like This for computer-generated sound

BEAST FEaST 2016 Real/Unreal
University of Birmingham, United Kingdom. April 28 – 30, 2016

IV Jornadas de Creación Electroacústica
Conference

Centro Superior de Enseñanza Musical Katarina Gurska
Madrid, Spain. February 27 – 28, 2015

I just finished a new piece for solo percussion. It is titled Dreaming about Tinguely’s Mechanical Sculptures. I used, very intuitively, the following techniques: for the rhythms, I developed a stochastic Lindenmayer system that creates syncopations based on the ‘rhythmic oddity’ method of Central Africa; for the instrument sequence, I employed Markov chains and random walks. Everything was done in the SuperCollider programming language.
Madrid, Spain. December 31, 2015

My Life Has Been Filled With Terrible Misfortune;
Most of Which Never Happened
for bass clarinet, violin, viola, cello, double bass & live electronics
Ensamble Liminar

Liminar Sonido #13: The Music and Legacy of Julián Carrillo
REDCAT, Los Angeles, USA. December 11, 2015

Brazil for computer-generated sound

Enclaves Sitiados.3 – WhiteNoise.Colectivo
Fonoteca Nacional de México, Mexico City, Mexico. December 9, 2015
Ibrasotope Música Experimental, São Paulo, Brazil. December 11, 2015

Surveillance for computer-generated sound
¿Qué Gigantes? for computer-generated sound

MiniBEAST Concert Curated by Tsun-Winston Yeung
University of Birmingham, United Kingdom. November 11, 2015

Stochastic Composition and Synthesis in SuperCollider
Workshop
Institute of Sonology, Royal Conservatory
The Hague, The Netherlands. October 26 – 30, 2015

Surveillance for computer-generated sound

Jornadas de Música Experimental – II Encuentro de Raíces Nómadas
Cortijo del Coco, Cáceres, Spain. September 12, 2015

Surveillance for computer-generated sound

Sound Gallery | Bendigo International Festival of Exploratory Music
Dudley House, Bendigo, Australia. September 5 – 6, 2015

Four Electroacoustic Pieces
Solo Concert

Auditorio Divino Narciso, Universidad del Claustro de Sor Juana
Mexico City. July 30, 2015

Surveillance for computer-generated sound
Daisy for computer-generated sound
Centro Mexicano para la Música y las Artes Sonoras
Morelia, Mexico. July 17, 2015

Introduction to SuperCollider: Sound Synthesis and Algorithmic Composition
Workshop

Centro Mexicano para la Música y las Artes Sonoras
Morelia, Mexico. July 6 – 10, 2015

To and Fro (Adult Male Courtship Song) for alto saxophone & tape
Jorge Hoyo
17th World Saxophone Congress and Festival
Le Shadok, Strasbourg, France. July 13, 2015

To and Fro (Adult Male Courtship Song) for alto saxophone & tape
Jorge Hoyo
Centro Mexicano para la Música y las Artes Sonoras
Morelia, Mexico. June 26, 2015

De Nada Sirve Hacer Planes for string orchestra
Orquesta de Cámara de Bellas Artes
Rodrigo Macías, conductor
XXXVII Foro Internacional de Música Nueva Manuel Enríquez
Conservatorio Nacional de Música, Mexico City. June, 2015

It’s All Mirrors and Magnets for bass recorder
Anna Margules
Aeterna Musica
Espacio Ronda, Madrid, Spain. May 9, 2015

Iannis Xenakis: Art and Science
Lecture
Aguzar o Oído – 23 Músicas que cambiaron a Escoita
Museo de Arte Contemporánea de Vigo, Spain. March 26, 2015

Interludio for computer-generated sound
I Ciclo de Música Contemporánea Iberoamericana
Ateneo de Madrid, Spain. March 22, 2015

“Sex, Drugs and Rock ‘N Roll” Was Never Meant to Be like This for computer-generated sound
Surveillance for computer-generated sound

Studio Loos, The Hague, The Netherlands. March 12, 2015

Stochastic Composition and Synthesis in SuperCollider
Workshop
Institute of Sonology, Royal Conservatory
The Hague, The Netherlands. March 9 – 13, 2015

III Jornadas de Creación Electroacústica
Conference

Centro Superior de Enseñanza Musical Katarina Gurska
Madrid, Spain. February 26 – March 1, 2015

Origins and Extensions of Xenakis’s Stochastic Synthesis
Public Display of Research Reports
Iannis Xenakis – Composition between Art and Algorithm
ECMST ~ MASA (Empirics, Computation, Mathematics, Science and Technology in Music and Acoustical Signal Analysis)
National Institute for Music Research, Berlin, Germany. December, 2014

Surveillance for computer-generated sound
XX Jornadas de Informática y Electrónica Musical
II Congreso Internacional Espacios Sonoros y Audiovisuales
Auditorio 400, Museo Nacional Centro de Arte Reina Sofía
Madrid, Spain. December 4, 2014

Stochastic Synthesis: Origins and Extensions
Lecture
XX Jornadas de Informática y Electrónica Musical
II Congreso Internacional Espacios Sonoros y Audiovisuales
Salón de Actos de la Facultad de Filosofía y Letras
Universidad Autónoma de Madrid, Spain. December 3, 2014

“Sex, Drugs and Rock ‘N Roll” Was Never Meant to Be like This for computer-generated sound
Instrumenta Oaxaca
Plaza de Santo Domingo, Oaxaca, Mexico. November 18, 2014

Surveillance – Section II for computer-generated sound
Concert, Installation Opening and DVD Presentation

Audiópolis, CentroCentro
Palacio de Cibeles, Madrid, Spain. October 31, 2014

Surveillance for computer-generated sound
Daisy for computer-generated sound
“Sex, Drugs and Rock ‘N Roll” Was Never Meant to Be like This for computer-generated sound
Concert

Kees Tazelaar & Marianne Dekker, Sergio Luque, Alberto de Campo
Initiative Neue Musik Berlin Series
N.K., Berlin, Germany. October 18, 2014

Daisy for computer-generated sound

Seminario de Composición Musical 2014
Sala María Clara Cullel, Universidad de Costa Rica
San José, Costa Rica. July 24, 2014

To and Fro (Adult Male Courtship Song) for alto saxophone & tape
Alberto Romero
VI Foro de Compositores de Nuevo León
Escuela Adolfo Prieto, Monterrey, Mexico. July 14, 2014

It’s All Mirrors and Magnets for alto saxophone
Kent O’Doherty, KOEK duo
Museum of Fine Arts
Boston, USA. June 12, 2014

About My Music
Talk

Foro draft.inn de Compositores Contemporáneos
Espacio Labruc, Madrid. February 15, 2014

II Jornadas de Creación Electroacústica
Conference

Centro Superior de Enseñanza Musical Katarina Gurska
Madrid, Spain. February 6 – 9, 2014

Daisy for computer-generated sound
Center for Digital Arts and Experimental Media (DXARTS)
University of Washington
Chapel Performance Space, Seattle, USA. January 24, 2014

Drinking Wine V for soprano voice and alto saxophone
KOEK duo
Aliana de la Guardia, soprano
Kent O’Doherty, alto saxophone

Equilibrium Concert Series
Davis Square Theater
Boston, USA. December 8, 2013

Algorithmic Composition and Stochastic Synthesis
Lecture
Aula de Música Experimental
Madrid, Spain. November 28, 2011

Interludio for computer-generated sound

Bendigo International Festival of Exploratory Music
Bendigo Bank Theatre
Bendigo, Australia. September 14, 2013

Algorithmic and Stochastic Music in SuperCollider
Workshop
Centro Multimedia
Centro Nacional de las Artes, Mexico City. July 19 – 21, 2013

Algorithmic and Generative Music in SuperCollider
Workshop
Centro Superior de Enseñanza Musical Katarina Gurska
Madrid, Spain. May 18, 2013

I Jornadas de Creación Electroacústica
Conference

Centro Superior de Enseñanza Musical Katarina Gurska
Madrid, Spain. May 18, 2013

Stochastic Synthesis: Origins and Extensions
Lecture
“Sex, Drugs and Rock ‘N Roll” Was Never Meant to Be like This for computer-generated sound
Concert

Institute of Sonology in Argentina
conDiT, Centro Cultural cheLA
Buenos Aires, Argentina. May 5, 2013

“Sex, Drugs and Rock ‘N Roll” Was Never Meant to Be like This for computer-generated sound

Festival Odiureisón
Sala Julián Carrillo, Radio UNAM, Mexico City. April 25, 2013

Five Pieces for computer-generated sound
Solo Concert

Sonikas – Festival Internacional de Música Experimental
Centro Cultural Pilar Miró
Madrid, Spain. December 7, 2012

“Sex, Drugs and Rock ‘N Roll” Was Never Meant to Be like This for computer-generated sound
Centre Iannis Xenakis
Maison de l’Université, Université de Rouen, France. December 3, 2012

“Sex, Drugs and Rock ‘N Roll” Was Never Meant to Be like This for computer-generated sound
TecnoNucleo
Los Martes Experimentales
IAM Gallery, Madrid, Spain. November 13, 2012

¿Qué Gigantes? for computer-generated sound
Ciclo Arquetipos Sonoros
Museo Universitario de Arte Contemporáneo
Mexico City. November 10 – 11, 2012

“Sex, Drugs and Rock ‘N Roll” Was Never Meant to Be like This for computer-generated sound
Undae! | Ciclo Internacional de Música Electroacústica 2012
C’est la vie, Madrid, Spain. November 11, 2012

Introduction to SuperCollider: Sound Synthesis, Algorithmic Composition and Network Music
Workshop
“Sex, Drugs and Rock ‘N Roll” Was Never Meant to Be like This for computer-generated sound
Brazil for computer-generated sound
Concert
Centro Mexicano para la Música y las Artes Sonoras
Morelia, Mexico. July 2 – 6, 2012

My Life Has Been Filled With Terrible Misfortune;
Most of Which Never Happened
for bass clarinet, violin, viola, cello, double bass & live electronics
Ensamble Liminar
XXXIV Foro Internacional de Música Nueva Manuel Enríquez
Auditorio Blas Galindo
Centro Nacional de las Artes, Mexico City. June 15, 2012

John Cage: Imaginary Landscape No. 5 For Any 42 Phonograph Records
New computer realization for recordings of spoken word
Eight channels
Happy Birthday for computer-generated sound
Six channel version
The Baltimore Technology Overdrive presents: RTFM
Red Room, Baltimore, USA. May 25, 2012

It’s All Mirrors and Magnets for bass recorder
Anna Margules

Fundación BBVA
Palacio del Marqués de Salamanca
Madrid, Spain. April 21, 2012

Algorithmic Composition and Dynamic Stochastic Synthesis in SuperCollider
Workshop
Dynamic Stochastic Synthesis
Lecture
Daisy for computer-generated sound
Concert

Xenakis Festival – Géometrie spatiale
Institute of Sonology, Royal Conservatory
The Hague, The Netherlands. April 19 – 20, 2012

Brazil for computer-generated sound
IN-SONORA – VII Muestra de Arte Sonoro e Interactivo
Auditorio 400, Museo Nacional Centro de Arte Reina Sofía
Madrid, Spain. March 17, 2012

My Idea of Fun for clarinet, percussion & viola
DVD-Audio

Postcage
Michael Kornacki, clarinet; Glenn Freeman, percussion; Christina Fong, viola
http://amazon.com/dp/B0067STJP6
OgreOgress Productions, USA, February, 2012

Collaborative Live Coding Performance and, Stochastic Composition and Synthesis
Workshop
Alberto de Campo and Sergio Luque
Network Music Festival
Birmingham, United Kingdom. January 28 – 29, 2012

“Sex, Drugs and Rock ‘N Roll” Was Never Meant to Be like This for computer-generated sound
Brazil for computer-generated sound
Tokyo Experimental Festival
Tokyo, Japan. January 22, 2012

“Sex, Drugs and Rock ‘N Roll” Was Never Meant to Be like This for computer-generated sound
Brazil for computer-generated sound
Daisy for computer-generated sound
l’ull cec | Concert
Centre Cívic Parc-Sandaru
Barcelona, Spain. December 19, 2011

Stochastic Synthesis
Lecture
l’ull cec | Lecture
Escola Superior de Música de Catalunya
Barcelona, Spain. December 19, 2011

Stochastic Composition and Synthesis in SuperCollider
Workshop
l’ull cec | Seminar
Hangar, Barcelona, Spain. December 16 – 18, 2011

Algorithmic Composition for Instrumental Music and Sound Synthesis
Lecture
Aula de Música Experimental
Madrid, Spain. November 19, 2011

Brazil for computer-generated sound
Primer Simposio Internacional Transdisciplinar ¿Es posible pensar Latinoamérica?
Universidad Autónoma de Madrid
CRUCE, Madrid, Spain. November 14, 2011

“Sex, Drugs and Rock ‘N Roll” Was Never Meant to Be like This for computer-generated sound
Brazil for computer-generated sound
Casa Sociacusia, Guadalajara, Mexico. September 28, 2011

Happy Birthday for computer-generated sound
Six channel version
Soundscapes Special Edition – Sonorous-Horreum
Kapu, Linz, Austria. September 2 – 5, 2011

“Sex, Drugs and Rock ‘N Roll” Was Never Meant to Be like This for computer-generated sound
Ciclo de Música Electroacústica
Instituto Queretano de la Cultura y las Artes
Museo de la Ciudad, Querétaro, Mexico. August 25, 2011

Introduction to SuperCollider: Algorithmic Composition and Network Music
Workshop
Jornadas de Informática y Electrónica Musical
Laboratorio de Informática y Electrónica Musical
Museo Nacional Centro de Arte Reina Sofía
Madrid, Spain. July 6, 2011

Frío for computer-generated sound
Jornadas de Informática y Electrónica Musical
Laboratorio de Informática y Electrónica Musical
Auditorio 400, Museo Nacional Centro de Arte Reina Sofía
Madrid, Spain. July 4, 2011

Brazil for computer-generated sound
AVLAB Meeting
Medialab Prado, Madrid, Spain. April 16, 2011

Stochastic Synthesis: Origins and Extensions
Lecture
Xenakis International Symposium
Goldsmiths, University of London
Royal Festival Hall, Southbank Centre, London, United Kingdom. April 3, 2011

“Sex, Drugs and Rock ‘N Roll” Was Never Meant to Be like This for computer-generated sound
SONORISarte
Laboratorio de Arte Sonoro del CANTE
Foro de los Muros, Centro de las Artes de San Luis Potosí
San Luis Potosí, Mexico. November 25, 2010

“Sex, Drugs and Rock ‘N Roll” Was Never Meant to Be like This for computer-generated sound
Broadcast
Musique d’Avenir, hosted by Anne Gillot
Radio Suisse Romande 2, Switzerland. November 21, 2010

Absorbed for two violas
Garth Knox & Alexander Bruck
Commissioned by Alexander Bruck
Discantus 2010
Teatro de la Ciudad, Puebla, Mexico. October 28, 2010

“Sex, Drugs and Rock ‘N Roll” Was Never Meant to Be like This for computer-generated sound
Ensemble Vortex
VORTEX 5 ANS
Maison de la Radio, Studio Ernest Ansermet
Radio Suisse Romande, Geneva, Switzerland. October 17, 2010

“Sex, Drugs and Rock ‘N Roll” Was Never Meant to Be like This for computer-generated sound
SuperCollider Symposium 2010 | Concerts/Installations
Kl. Wasserspeiche, Berlin, Germany. September 25, 2010

Stochastic Synthesis
Lecture
SuperCollider Symposium 2010 | Conference
Universität der Künste, Berlin, Germany. September 23, 2010

Patterns in a Stochastic Field
Workshop
SuperCollider Symposium 2010 | Workshops
.HBC, Berlin, Germany. September 22, 2010

“Sex, Drugs and Rock ‘N Roll” Was Never Meant to Be like This for computer-generated sound
IN-SONORA | Laboratorio Sonoro
Transónica
Galería Tomás Chávez Morado y El Atrio
Universidad de Guanajuato, Mexico. August, 2010

Frío for computer-generated sound
(ready)media:
arqueología de los medios y la invención en México
Laboratorio Arte Alameda, Mexico. June 17 – August 8, 2010

My Idea of Fun for clarinet, percussion & viola
Fernando Domínguez, clarinet; Iván Manzanilla, percussion;
Alexander Bruck, viola
Instrumenta Contemporánea
Auditorio del Centro Cultural Universitario, UABJO
Oaxaca, Mexico. April 7, 2010

Brazil for computer-generated sound
BEAST (Birmingham Electroacoustic Sound Theatre)
George Cadbury Hall, Birmingham, United Kingdom. January 17, 2010

The Stochastic Synthesis of Iannis Xenakis
Academic Article
Leonardo Music Journal, Volume 19
MIT Press, January 2010

Spine for English horn, percussion, violin and double bass
Broadcast
Ensemble Vortex
Radio Suisse Romande 2, Switzerland. December 13, 2009

BEASTmulch System
Software
A tool for the presentation of electroacoustic music over multichannel systems
http://www.birmingham.ac.uk/facilities/BEAST/research/mulch.aspx
Created by Scott Wilson and Sergio Luque
University of Birmingham, September 15, 2009

“Sex, Drugs and Rock ‘N Roll” Was Never Meant to Be like This for computer-generated sound
SoundLAB VI – soundPOOL
FILE – Electronic Language Music Festival
Teatro Popular do SESI, Sao Paulo, Brazil. July 27 – August 30, 2009

Electroacoustic III
Interview
Bisbigliando – el espacio de la música actual de Radio Círculo
Hosted by María Santacecilia and Alberto Bernal
Radio Círculo (100.4 FM), Spain. June 30, 2009

Synthetic Space
Round Table
Emiliano del Cerro, José Manrique and Sergio Luque
Jornadas de Informática y Electrónica Musical XVI
Laboratorio de Informática y Electrónica Musical
Museo Nacional Centro de Arte Reina Sofía
Madrid, Spain. June 29, 2009

“Sex, Drugs and Rock ‘N Roll” Was Never Meant to Be like This for computer-generated sound
Travels in Time and Space
BEAST (Birmingham Electroacoustic Sound Theatre)
CBSO Centre, Birmingham, United Kingdom. May 30, 2009

Ssst for computer-generated sound
REM Concert
Weserburg Museum of Modern Art
Bremen, Germany. March 26, 2009

Don’t Have Any Evidence for chamber ensemble
Birmingham Contemporary Music Group (BCMG)
Peter Wiegold,conductor
Happy Birthday for computer-generated sound
Six channel version
BCMG Insight | Focus on Composer Sergio Luque
CBSO Centre, Birmingham, United Kingdom. March 13, 2009

Teaching Electroacoustic Composition
Round Table
Alberto Bernal, Oscar Cubillas, Mario Mary, Adolfo Nuñez and Sergio Luque
“Sex, Drugs and Rock ‘N Roll” Was Never Meant to Be like This for computer-generated sound
Broadcast
Ars Sonora, hosted by Miguel Álvarez-Fernández
Radio Clásica, Radio y Televisión Española, Spain
December 26, 2008

Y Fue Que Le Pareció Convenible y Necesario for computer-generated sound
Happy Birthday for computer-generated sound
“Sex, Drugs and Rock ‘N Roll” Was Never Meant to Be like This for computer-generated sound
RUIDOCRACIA – Ruido y Democracia: Expresión, Autonomía y Praxis
Cañete 17 – 4, Madrid, Spain. December 13, 2008

Introduction to SuperCollider
Workshop
Stochastic Synthesis: Origins and Extensions
Lecture
Laboratorio de Informática y Electrónica Musical
Museo Nacional Centro de Arte Reina Sofía
Madrid, Spain. November 20 – 21, 2008

“Sex, Drugs and Rock ‘N Roll” Was Never Meant to Be like This for computer-generated sound
IN-SONORA – IV Muestra de Arte Sonoro e Interactivo
Istituto Europeo di Design, Madrid, Spain. October 24, 2008

Spine for English horn, percussion, violin and double bass
Commissioned and performed by Ensemble Vortex
Grande Salle, Conservatoire de Musique de Genève
Geneva, Switzerland. October 7, 2008

Là for clarinet, piano & vibraphone
Fernando Domínguez, clarinet; Edith Ruiz, piano; Alma Gracia Estrada, vibraphone
Retrato de Maestros II
Instrumenta Contemporánea 08
Teatro Juárez, Oaxaca, Mexico. September 30, 2008

Happy Birthday for computer-generated sound
Six channel version
Integra Festival 2008
Adrian Boult Hall, Birmingham Conservatoire
Birmingham, United Kingdom. June 6, 2008

Frío for computer-generated sound
CD

México Electroacústico [1960-2007]
Irradia, Mexico City. April 22, 2008

“Sex, Drugs and Rock ‘N Roll” Was Never Meant to Be like This for computer-generated sound
Hecho en México
Wortham Opera Theatre
Shepherd School of Music, Rice University, Houston, USA. April 21, 2008

Y Fue Que Le Pareció Convenible y Necesario for computer-generated sound
Statika 08
Escuela Superior de Música, Mexico City. April 18, 2008

“Sex, Drugs and Rock ‘N Roll” Was Never Meant to Be like This for computer-generated sound
Statika 08
Escuela Superior de Música, Mexico City. April 17, 2008

“Sex, Drugs and Rock ‘N Roll” Was Never Meant to Be like This for computer-generated sound
Puente Sonoro
VII Festival Internacional de la Imagen
Torre de Herveo, Manizales, Colombia. April 15 – 19, 2008

Là for alto saxophone, piano & vibraphone
Kent O’Doherty Ensemble
Boston Conservatory
Boston, USA. April 5, 2008

“Sex, Drugs and Rock ‘N Roll” Was Never Meant to Be like This, Frío and Ssst
Netlabel Release
.
“Sex, Drugs and Rock ‘N Roll” Was Never Meant to Be like This
TecnoNucleo – Experimental Electronic Music, Spain. March 14, 2008

“Sex, Drugs and Rock ‘N Roll” Was Never Meant to Be like This for computer-generated sound
Linux Audio Conference 2008
Universität Köln – Kunsthochschule für Medien Köln
Stadtgarten, Cologne, Germany. February 28, 2008

Logik der Störung
Workshop
Distributed stochastic composition and synthesis in SuperCollider
Julian Rohrhuber and Sergio Luque
“New ways to bring back the noise into the telephone line. Instead of separating signal and noise, we will try to devise new and beautiful uncertainties, reconstruct respected old noise sources and play with the intractable. This workshop will be an experimental laboratory for finding and exchanging stochastic algorithms that run on each other’s computers in the local network.”
Linux Audio Conference 2008
Universität Köln – Kunsthochschule für Medien Köln
Cologne, Germany. February 28, 2008

“Sex, Drugs and Rock ‘N Roll” Was Never Meant to Be like This for computer-generated sound
XI Festival de Música Contemporánea de El Salvador
Museo Nacional de Antropología, San Salvador, El Salvador. February 27, 2008

Stochastic Synthesis: Origins and Extensions
Lecture
“Sex, Drugs and Rock ‘N Roll” Was Never Meant to Be like This for computer-generated sound
Concert
Stochastic Composition in SuperCollider
Workshop
Institute of Sonology, Royal Conservatory
The Hague, The Netherlands. December 4 – 5, 2007

Y Fue Que Le Pareció Convenible y Necesario for computer-generated sound
¿Qué Gigantes? for computer-generated sound
“Sex, Drugs and Rock ‘N Roll” Was Never Meant to Be like This for computer-generated sound
DNK Amsterdam
Overtoom 301, Amsterdam, The Netherlands. December 3, 2007

Introduction to SuperCollider
Workshop
Laboratorio de Informática y Electrónica Musical
Centro para la Difusión de la Música Contemporánea
Museo Nacional Centro de Arte Reina Sofía
Madrid, Spain. November 26, 2007

Stochastic Algorithmic Composition
Lecture
Y Fue Que Le Pareció Convenible y Necesario for computer-generated sound
¿Qué Gigantes? for computer-generated sound
Happy Birthday for computer-generated sound
Concert
Unberechenbare Berechnungen
Universität Köln – Kunsthochschule für Medien Köln
Klanglabor, Cologne, Germany. November 21, 2007

Stochastic Music
Lecture
Y Fue Que Le Pareció Convenible y Necesario for computer-generated sound
¿Qué Gigantes? for computer-generated sound
Concert
AVLAB Meeting
Medialab Prado, Madrid, Spain. November 10, 2007

John Cage: Imaginary Landscape No. 5 For Any 42 Phonograph Records
New computer realization for recordings of spoken word
Eight channels
Text (un)Caged – Birmingham Book Festival
Ikon Eastside, Birmingham, United Kingdom. October 12, 2007

BEAST (Birmingham Electroacoustic Sound Theatre)
Workshop & Concert
SOUND AROUND – Öresund Biennale of Contemporary Music
The School of Architecture at the Royal Danish Academy of Fine Arts, Copenhagen, Denmark. October 8 – 9, 2007

To and Fro (Adult Male Courtship Song) for alto saxophone & tape
Kent O’Doherty
Boston Conservatory Mainstage Theater
Boston, USA. September 29, 2007

Happy Birthday for computer-generated sound
Wavefield synthesis version
SuperCollider Symposium 2007
Scheltema, Leiden, The Netherlands. September 20, 2007

Don’t Have Any Evidence, for chamber ensemble, won the University of Birmingham’s COMPASS Composition Prize and is going to be performed by the Birmingham Contemporary Music Group
Birmingham, United Kingdom. September 13, 2007

Y Fue Que Le Pareció Convenible y Necesario for computer-generated sound
CD

“Una muestra del trabajo de exploración de algunos compositores, programadores y meta compositores latinoamericanos que emplean técnicas algorítmicas para construir sistemas informáticos de los que emergen comportamientos sonoros. En algunos casos implementando interfaces para interactuar con estos sistemas y en otros casos otorgándoles total autonomía. Participan: Juan Reyes (Colombia), Santiago Peresón (Argentina), Christian Galarreta (Perú), Rogelio Sosa y Sergio Luque (México).”
Ejercicios de Desolación Artificial
Aloardi – Sello de Música Experimental, Peru. June, 2007

¿Qué Gigantes? for computer-generated sound
Sonic Arts Research Centre (SARC)
Belfast, Northern Ireland. March 30, 2007

Stochastic Composition with SuperCollider
Workshop
5th Linux Audio Conference
Technische Universität Berlin, Germany. March 25, 2007

De la incertidumbre for computer-generated sound
I. Y Fue Que Le Pareció Convenible y Necesario
II. Interludio
III. ¿Qué Gigantes?
5th Linux Audio Conference
Instituto Cervantes Berlin, Germany. March 23, 2007

Happy Birthday for computer-generated sound
Six channel version
Invisible Art
BEAST (Birmingham Electroacoustic Sound Theatre)
CBSO Centre, Birmingham, United Kingdom. March 4, 2007

Là for alto saxophone, piano & vibraphone
Rodrigo Garibay Ensemble
Escuela Nacional de Música, UNAM, Mexico City. December 13, 2006

Happy Birthday for computer-generated sound
Stereo version
Commissioned by Festival Visiones Sonoras 2006
Sala Carlos Chávez, CCU, Mexico City. September 23, 2006

De la incertidumbre for computer-generated sound
I. Y Fue Que Le Pareció Convenible y Necesario
II.Interludio
III. ¿Qué Gigantes?
Ssst for computer-generated sound
Alzado for chamberensemble
230 Volt, Martijn Tellinga
Concertzender FM, The Netherlands. September 4, 2006

Y Fue Que Le Pareció Convenible y Necesario for computer-generated sound
SuperCollider Symposium 2006
Custard Factory, Birmingham, United Kingdom. July 28, 2006

¿Qué Gigantes? for computer-generated sound
Ensemble Vortex
STEIM, Amsterdam. June 30, 2006

Résistance for accordion
Eva Zöllner
Aula Magna, CENART, Mexico City. July 5, 2006
Colegio Nacional, Mexico City. June 29, 2006

Y Fue Que Le Pareció Convenible y Necesario for computer-generated sound
De Nada Sirve Hacer Planes for string orchestra
¿Qué Gigantes? for computer-generated sound
Institute of Sonology, Royal Conservatory
Theater Korzo, The Hague, The Netherlands. June 29, 2006

Y Fue Que Le Pareció Convenible y Necesario for computer-generated sound
SuperProeflokaal
Theater Kikker, Utrecht, The Netherlands. June 9, 2006

Là for alto saxophone, piano & vibraphone
Cuarteto Tetraktys
XXVIII Foro Internacional de Música Nueva ‘Manuel Enríquez’
Conservatorio Nacional de Música de México, Mexico City. May 4, 2006

Y Fue Que Le Pareció Convenible y Necesario for computer-generated sound
TU/e – Auditorium, Eindhoven, The Netherlands. April 23, 2006

Hissoanji – In Memoriam Ejo Takata for computer-generated sound
(A) MEXICAN r4wb1t5 macro.Fest
EN3MY, Chicago. April 8, 2006

Frío for computer-generated sound
Música Electroacústica Mexicana Actual
Festival Internacional Primavera en La Habana
Museo Nacional de Bellas Artes
La Habana, Cuba. March 8, 2006

¿Qué Gigantes? for computer-generated sound
Francisco Huguet & Daniel Zea
Ensemble Vortex
Grande Salle, Conservatoire de Musique de Genève
Geneva, Switzerland. December 8, 2005

Interludio for computer-generated sound
Studio 1, Institute of Sonology, Royal Conservatory
The Hague. October 25, 2005

De Nada Sirve Hacer Planes for string orchestra
Commissioned and performed by Orquesta de Texcoco
Rodrigo Macías, conductor
Centro Cultural Regional de Texcoco, México. Septiembre 3, 2005

¿Qué Gigantes? for computer-generated sound
Andador Sonoro
Instrumenta Oaxaca Verano 2005
Corredor Macedonio Alcalá, Oaxaca, Oaxaca. July 25 – August 26, 2005

Introduction to SuperCollider
Workshop
Centro de Investigación y Estudios Musicales
Mexico City. July 14 – 22, 2005

Ssst for computer-generated sound
Y Fue Que Le Pareció Convenible y Necesario for computer-generated sound
Francisco Huguet & Daniel Zea
Ensemble Vortex
Féte de la Musique
Place de Neuve, Geneva, Switzerland. June 19, 2005

Ssst for computer-generated sound
Panakoustikon
Festival voor Nederlandse Elektronische Muziek
NDSM, Amsterdam. June 3, 2005

Y Fue Que Le Pareció Convenible y Necesario for computer-generated sound
Radar 4 – Espacio de Exploración Sonora
XXI Festival de México en el Centro Histórico
Ex-Teresa Arte Actual, Mexico City. April 23, 2005

Introduction to SuperCollider
Workshop
Radar 4 – Espacio de Exploración Sonora
XXI Festival de México en el Centro Histórico
_hAtch, Mexico City. April 18 – 22, 2005

La Última Instalación
Sound Installation
México 70 – Una decada dentro de una generación
Casa del Lago, Mexico City. February 17 – April 30, 2005

My Life Has Been Filled With Terrible Misfortune;
Most of Which Never Happened
for bass clarinet, violin, viola, cello, double bass & live electronics
Richard Haynes, bass clarinet
Mercury New Music Ensemble
Ian Hanger Recital Hall, Queensland Conservatorium
South Bank – Brisbane, Australia. October 23, 2004

My Life Has Been Filled With Terrible Misfortune;
Most of Which Never Happened
for bass clarinet, violin, viola, cello, double bass & live electronics
Carlos Gálvez Taroncher, bass clarinet
Sergio Luque, live electronics
Insomnio Ensemble
Gaudeamus Music Week
Felix Meritis Concert Hall, Amsterdam. September 8, 2004
Muziekcentrum ‘s-Hertogenbosch. September 4, 2004

Ssst for computer-generated sound
Zèppelin Destival 2004. Festival de Proyectos Sonoros
CCCB / Caixaforum, Barcelona. May 19 – 22, 2004
Casa de los Morlanes, Zaragoza. September 7 – 19, 2004

Là for Bb clarinet, vibraphone & piano
Schönberg Ensemble
Muziekcentrum de Ijsbreker, Amsterdam. September 5, 2004

Alzadofor ensemble
Broadcast
Siglo XX, hosted by José Oplustil
Radio Beethoven, Chile. August 26, 2004

To and Fro (Adult Male Courtship Song) for alto saxophone & live electronics
Rodrigo Garibay, alto saxophone
Sergio Luque, live electronics
Maratón de Música Electrónica en Vivo
Sismo 04 – Bienal Internacional de Música Electroacústica
Sala Nezahualcóyotl, CCU, Mexico City. August 18, 2004

Introduction to SuperCollider
Workshop
Centro Multimedia, CENART, Mexico City. August 2 – 23, 2004

Là for alto saxophone, piano & vibraphone
Kent O’Doherty, alto saxophone; Guillermo Quintero,piano;
Sjoerd Nijenhuis, vibraphone
Hissoanji – In Memoriam Ejo Takata for computer-generated sound
To and Fro (Adult Male Courtship Song) for alto saxophone & live electronics
Kent O’Doherty, alto saxophone; Sergio Luque, live electronics
Theater Lantaren/Venster, Rotterdam. May 25, 2004

Hissoanji – In Memoriam Ejo Takata
Netlabel Release
Centibel – Canadian experimental digital netlabel
Curated by Phil Thomson
http://www.centibel.org. April 2004

Hissoanji – In Memoriam Ejo Takata for computer-generated sound
Theater Lantaren/Venster, Rotterdam. April 13, 2004

To and Fro (Adult Male Courtship Song) for alto saxophone & live electronics
Eduardo Meléndez, alto saxophone; Ezequiel Netri, live electronics
Real time video created by Leonardo Ladrón de Guevara
Kalispherion – Interdisciplinary Festival
Escuela Nacional de Arte Teatral, CENART, Mexico City. April 3 – 4, 2004

To and Fro (Adult Male Courtship Song) for alto saxophone & live electronics
Kent O’Doherty, alto saxophone; Sergio Luque, live electronics
Theater Lantaren/Venster, Rotterdam. November 26, 2003

1÷2 for bass clarinet
Ainhoa Miranda
Ssst for computer-generated sound
Theater Lantaren/Venster, Rotterdam. November 25, 2003

Frío for computer-generated sound
Panorama Acusmático: Una visión actual de México que entra por los oídos
Tercer Encuentro Internacional de Música Contemporánea de Valparaíso
Sala del Instituto Chileno-Norteamericano de Valparaíso
Valparaíso, Chile. November 6, 2003

Ssst for computer-generated sound
Electronic Rainbow Coalition Festival
Darmouth College, Hanover, New Hampshire, USA. August 23, 2003

comment dire “En una noche oscura” for soprano, tenor & baritone
Le Jeunes Solistes
Rachid Safir, conductor
Acanthes 2003
Chartreuse de Villeneuve-lez-Avignon, France. July 9 – 25, 2003

Hissoanji – In Memoriam Ejo Takata
Elektroakustische Musik aus den Niederlanden I
28. Festival für Neue Musik Lüneburg
Glockenhaus, Lüneburg, Germany. May 26, 2003

1÷2 for bass clarinet
Fernando Domínguez
XXV Foro Internacional de Música Nueva ‘Manuel Enríquez’
Auditorio Blas Galindo, CENART, Mexico City. May 24, 2003

Vs. for tenor trombone, two cellos & percussion
Là for alto saxophone, piano & vibraphone
Eduard Flipsezaal, De Doelen, Rotterdam. May 16, 2003

Ssst for computer-generated sound
Nieuwe Electronische Muziek
Theater Lantaren/Venster, Rotterdam. March 5 , 2003

Alzado for ensemble
Nieuw Ensemble
Het Verfijnde Oor
Felix Meritis Concert Hall, Amsterdam. February 15, 2003

Ssst for computer-generated sound
Frío for computer-generated sound
Netlabel Release
Centibel – Canadian experimental digital netlabel
Curated by Phil Thomson
http://www.centibel.org. January 2003

Là for alto saxophone, piano & vibraphone
Commissioned and performed by L’Atelier Ensemble Instrumental
Salle Cortot, Ecole Normale de Musique de Paris. December 19, 2002
Maison de l’Université, Université de Rouen. November 21, 2002

0003 for brass ensemble & percussion
Muziekzaal, Rotterdams Conservatorium. November 19, 2002

Ssst for computer-generated sound
Elektroakustische Musik aus den Niederlanden II
28. Festival für Neue Musik Lüneburg
Glockenhaus, Lüneburg, Germany. October 25, 2002

Hissoanji – In Memoriam Ejo Takata for computer-generated sound
Musicircus
cage 2002 – 90/10
John Hansard Gallery, University of Southampton
Southampton, United Kingdom. September 21, 2002