# Sergio Luque

> Sergio Luque — composer of instrumental and electroacoustic music. Research in stochastic synthesis and computer music. SuperCollider.

## Pages
- [Home](https://sergioluque.com/): Composer of instrumental and electroacoustic music
- [Listen](https://sergioluque.com/listen): Selected works with audio
- [Catalogue](https://sergioluque.com/catalogue): Complete catalogue of works
- [News](https://sergioluque.com/news): Concerts and announcements
- [Bio](https://sergioluque.com/bio): Composer and researcher
- [Stochastics](https://sergioluque.com/stochastics): Research in stochastic synthesis and publications
- [Contact](https://sergioluque.com/contact)

## News & Events
- [Listening, Abstraction and Code](https://www.march.es/es/madrid/especiales/escucha-abstraccion-codigo-encuentro-con-sergio-luque): 24 March 2026 — Fundación Juan March, Madrid — Talk
- [Patterns in a Stochastic Field](https://sergioluque.com/news): 23 February 2026 — Institute of Sonology, Royal Conservatoire, The Hague — Five-day workshop on algorithmic composition, sound synthesis, and stochastic processes in SuperCollider
- [New Electroacoustic Work Selected for IN-SONORA 14](https://sergioluque.com/news): 12 September 2025 — Madrid
- [Chapter in The SuperCollider Book (MIT Press, 2025)](https://mitpress.mit.edu/9780262049702/the-supercollider-book/): 24 April 2025 — Co-authored with Daniel Mayer: "Stochastic and Deterministic Algorithms for Sound Synthesis and Composition"
- [Online SuperCollider Meetup](https://notam.no/en/news/sergio-luque-og-gil-fuser-til-notams-online-supercollider-meetup-02-04/): 2 April 2025 — Notam (Norwegian Centre for Technology, Art, and Music), Oslo — Presentation on how I use SuperCollider in my work
- [22nd Sound and Music Computing Conference (SMC 2025)](https://smc25.iem.at/): 1 February 2025 — Institute of Electronic Music and Acoustics (IEM), University of Music and Performing Arts, Graz, Austria — Music reviewer
- [Daisy — Overdrive Festival](https://sergioluque.com/news): 20 December 2024 — Elebash Recital Hall, The Graduate Center, CUNY, New York — For computer-generated sound
- [It Is Happening Again — IN-SONORA / Cruce 30th Anniversary](https://sergioluque.com/news): 17 November 2024 — Cruce Arte y Pensamiento, Madrid — For computer generated sound
- [Dreaming about Tinguely's Mechanical Sculptures — Album Release](https://scherzo.es/sisco-aparici-o-el-arte-de-multiplicar-los-lenguajes-de-la-percusion/): 9 November 2024 — Included in the CD Abandonar la llengua pròpia, performed by Sisco Aparici
- [Patterns in a Stochastic Field](https://sergioluque.com/news): 4 November 2024 — Institute of Sonology, Royal Conservatoire, The Hague — Five-day workshop on algorithmic composition, sound synthesis, and stochastic processes in SuperCollider
- [It Is Happening Again — "Disciplines and Interconnections in 30 Years of Cruce"](https://sergioluque.com/news): 31 October 2024 — Cruce Arte y Pensamiento, Madrid — For computer-generated sound
- [Introduction to Algorithmic Composition and Generative Music in SuperCollider](https://www.lacasaencendida.es/cultura/introduccion-a-la-composicion-algoritmica-y-a-la-musica-generativa-en-supercollider-con-sergio-luque?eventId=1596): 17 September 2024 — La Casa Encendida, Madrid — Workshop
- [Vouloir Croire Entrevoir](https://sergioluque.com/news): 15 December 2023 — Museum of Art and History of Guanajuato, León, Mexico — For alto saxophone, violin, viola and cello
- [Vouloir Croire Entrevoir](https://sergioluque.com/news): 14 December 2023 — Juárez Theater, Guanajuato, Mexico — For alto saxophone, violin, viola and cello The programme includes compositions by Juan Cristóbal Cerrillo and Marc Sabat.
- [SGAE Foundation – CNDM 34th Young Composers' Award](https://sergioluque.com/news): 27 November 2023 — Auditorio 400, Museo Reina Sofía, Madrid — Jury member

## Works
- [It is Happening Again (2021)](https://sergioluque.com/listen/it-is-happening-again): computer-generated sound — 11'52"
- [We'll Never Know (2022)](https://sergioluque.com/listen/well-never-know): piano, violin, viola and cello — 8'17"
- [Telescope II (2021)](https://sergioluque.com/listen/telescope-ii): piano and string quartet — 8'
- [Flaring up from Blackness (2018)](https://sergioluque.com/listen/flaring-up-from-blackness): saxophone quartet
- [Telescope (2017)](https://sergioluque.com/listen/telescope): piano — 9'37"
- [Through Empty Space (2016)](https://sergioluque.com/listen/through-empty-space): string quartet — 14'42
- [Dreaming about Tinguely's Mechanical Sculptures (2015)](https://sergioluque.com/listen/dreaming-about-tinguelys-mechanical-sculptures): solo percussion — 10'43"
- [The Art of Disappearing (2014)](https://sergioluque.com/listen/the-art-of-disappearing): computer-generated sound — 10'
- [Surveillance (2014)](https://sergioluque.com/listen/surveillance): computer-generated sound — 14'53"
- [Daisy (2011)](https://sergioluque.com/listen/daisy): computer-generated sound — 9'31"
- [My idea of fun (2010)](https://sergioluque.com/listen/my-idea-of-fun): clarinet, percussion & viola — 6'20"
- [Brazil (2009)](https://sergioluque.com/listen/brazil): computer-generated sound — 8'
- [Don't have any evidence (2007)](https://sergioluque.com/listen/dont-have-any-evidence): chamber ensemble — 8'41"
- [“Sex, Drugs and Rock ’n Roll” was never meant to be like this (2007)](https://sergioluque.com/listen/sex-drugs-and-rock-n-roll-was-never-meant-to-be-like-this): computer-generated sound
- [Happy Birthday (2006)](https://sergioluque.com/listen/happy-birthday): computer-generated sound — 7'56"
- [de nada sirve hacer planes (2005)](https://sergioluque.com/listen/de-nada-sirve-hacer-planes): string orchestra — 8'50"
- [De la Incertidumbre — III. ¿Qué gigantes? (2005)](https://sergioluque.com/listen/de-la-incertidumbre-iii-que-gigantes): computer-generated sound — 6'
- [De la Incertidumbre — II. Interludio (2005)](https://sergioluque.com/listen/de-la-incertidumbre-ii-interludio): computer-generated sound — 11'40"
- [De la Incertidumbre — I. Y fue que le pareció convenible y necesario (2005)](https://sergioluque.com/listen/de-la-incertidumbre-i-y-fue-que-le-parecio): computer-generated sound — 9'28"
- [My life has been filled with terrible misfortune; most of which never happened (2004)](https://sergioluque.com/listen/my-life-has-been-filled-with-terrible-misfortune): bass clarinet, violin, viola, cello, double bass and live electronics — 8'16"
- [comment dire "En una noche oscura" (2003)](https://sergioluque.com/listen/comment-dire-en-una-noche-oscura): soprano, tenor and baritone — 6'37
- [Alzado (2003)](https://sergioluque.com/listen/alzado): chamber ensemble — 8'17"
- [là (2002)](https://sergioluque.com/listen/la): saxophone, piano and vibraphone — 9'21"
- [ssst (2002)](https://sergioluque.com/listen/ssst): samples and computer-generated sound — 10'
- [hissoanji - in memoriam Ejo Takata (2001)](https://sergioluque.com/listen/hissoanji): analogue silence, digital silence and computer-generated sound — 38'
- [frío (2001)](https://sergioluque.com/listen/frio): computer-generated sound — 12'10"